{"id":7618,"date":"2022-08-30T15:43:05","date_gmt":"2022-08-30T13:43:05","guid":{"rendered":"https:\/\/www.riskthedeath.fr\/?p=7618"},"modified":"2022-08-30T16:18:14","modified_gmt":"2022-08-30T14:18:14","slug":"machine-head-of-kingdom-and-crown-nuclear-blast-records","status":"publish","type":"post","link":"https:\/\/www.riskthedeath.fr\/index.php\/2022\/08\/30\/machine-head-of-kingdom-and-crown-nuclear-blast-records\/","title":{"rendered":"Machine Head – \u00ab\u00a0\u00d8F KINGD\u00d8M AND CR\u00d8WN\u00a0\u00bb @Nuclear Blast Records"},"content":{"rendered":"\t\t
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\"Pochette<\/span><\/span><\/p>

Machine Head<\/b>
\u00ab\u00a0<\/span><\/span>\u00d8F KINGD\u00d8M AND CR\u00d8WN<\/em><\/span>\u00bb<\/span><\/span>
Format: Album<\/span>
Genre: Thrash metal<\/span><\/span>
Pays: USA<\/span><\/span>
Label: Nuclear Blast Records<\/span><\/span>
Sortie: 26.08.22<\/span><\/span>
Note: 4.5\/5<\/span><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Il y a des groupes pour lesquels, de temps en temps, la pers\u00e9v\u00e9rance paye. Petit spoil<\/em>, Machine Head<\/strong> fait parti de ceux-l\u00e0 ! Donn\u00e9 pour mort depuis quelques albums d\u00e9j\u00e0 (enfin surtout le dernier \u00ab\u00a0Catharsis<\/em><\/span>\u00a0\u00bb pour ma part), le changement de line-up repr\u00e9sentait le dernier espoir pour moi. Malgr\u00e9 tout l’amour que je porte \u00e0 Phil Demmel<\/em> et surtout Dave McClain<\/em> (la batterie sur les couplets de \u00ab\u00a0Imperium<\/span>\u00a0\u00bb sera \u00e0 jamais num\u00e9ro 1 dans mon c\u0153ur !), l’ambiance dans le groupe n’\u00e9tait plus l\u00e0. L’ajout de Matt Alston<\/em> (Devilment<\/strong>, Eastern Front<\/strong>) \u00e0 la batterie (qui ne joue malheureusement pas sur cet album) et\u00a0\u00a0Wac\u0142aw \u00ab\u00a0Vogg\u00a0\u00bb Kie\u0142tyka<\/em> (Decapitated<\/strong>) \u00e0 la guitare, venant de styles plus extr\u00eames, laissait un dernier espoir. C’est pour cette raison, et bien app\u00e2t\u00e9 par les titres sortis en avance, que je me suis lanc\u00e9 dans ce \u00ab\u00a0<\/span><\/span>\u00d8F KINGD\u00d8M AND CR\u00d8WN<\/em><\/span>\u00bb.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Le principal probl\u00e8me dont souffre le groupe est paradoxalement son album \u00ab\u00a0The Blackening<\/u>\u00a0\u00bb sorti en 2007 (d\u00e9j\u00e0?!), qui a \u00e9t\u00e9 \u00e9lu album de la d\u00e9cennie par Metal Hammer<\/em>. Tous les albums sortis ensuite ont eu le malheur d’\u00eatre compar\u00e9 avec ce chef d’\u0153uvre, et forc\u00e9ment \u00e7a fait mal ! Je d\u00e9fendrai jusqu’\u00e0 la fin \u00ab\u00a0Unto the Locust<\/em><\/span>\u00a0\u00bb qui a juste le d\u00e9faut d’\u00eatre le successeur de \u00ab\u00a0The Blackening<\/em><\/span>\u00a0\u00bb ! Je vais essayer d’\u00e9viter de faire la m\u00eame chose, mais se sera in\u00e9vitable sur certains aspects de \u00ab\u00a0<\/span><\/span>\u00d8F KINGD\u00d8M AND CR\u00d8WN<\/u>\u00a0\u00bb.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Premier titre, premi\u00e8re comparaison ! Forc\u00e9ment quand le morceau d’ouverture \u00ab\u00a0SLAUGHTER THE MARTYR<\/span>\u00a0\u00bb d\u00e9passe les 10 minutes, on est oblig\u00e9 de revenir 15 ans en arri\u00e8re avec \u00ab\u00a0Clenching the Fists of Dissent<\/span>\u00ab\u00a0. Les comparaisons s’arr\u00eatent l\u00e0, ici l’intro est beaucoup plus (trop?) longue et clean (3 bonnes minutes). Malgr\u00e9 un retour au thrash<\/em>, il y a tout de m\u00eame beaucoup de chants cleans et de petites vocalises tout au long de l’album, qui seront probablement tr\u00e8s sympa en live, mais qui me d\u00e9rangent plus sur CD. Pass\u00e9 cette longue intro, revenons \u00e0 \u00ab\u00a0SLAUGHTER THE MARTYR<\/span>\u00ab\u00a0, le morceau se lance v\u00e9ritablement sur une mont\u00e9e en puissance rappelant cette fois-ci \u00ab\u00a0Beautiful Mourning<\/span>\u00a0\u00bb (promis je me restreint sur les comparaison…) et un bon riff thrash<\/em> accompagn\u00e9 des harmoniques typiques de Machine Head<\/strong>, qui m’avaient tant manqu\u00e9es ! Le refrain est moins \u00e9nerv\u00e9 mais tout de m\u00eame r\u00e9ussi, tout comme les soli de guitare. <\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab\u00a0CH\u00d8KE \u00d8N THE ASHES \u00d8F Y\u00d8UR HATE<\/span>\u00a0\u00bb a \u00e9t\u00e9 un des premiers morceaux d\u00e9voil\u00e9s, du pur thrash<\/em> typique du groupe, je vois d\u00e9j\u00e0 les immenses mosh-pits<\/em> se former en concert ! On encha\u00eene avec un de mes titres pr\u00e9f\u00e9r\u00e9 du CD : \u00ab\u00a0BEC\u00d8ME THE FIREST\u00d8RM<\/span>\u00ab\u00a0. Un riff d’intro qui ne ferait pas t\u00e2che sur un album de black metal<\/em>, une masterclass<\/em> \u00e0 la batterie et une rage que l’on \u00e9tait plus habitu\u00e9 \u00e0 entendre de la part de Robb Flynn<\/em>, bref tous les \u00e9l\u00e9ments d’une grande chanson. M\u00eame la petite partie en chant clean du refrain est tr\u00e8s r\u00e9ussie pour amener la partie de Robb<\/em>, les soli sont ex\u00e9cut\u00e9s \u00e0 tout vitesse, tout est bon !<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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On se calme un petit peu avec la petite interlude \u00ab\u00a0\u00d8VERD\u00d8SE<\/span>\u00a0\u00bb et l’intro de \u00ab\u00a0MY HANDS ARE EMPTY<\/span>\u00a0\u00bb qui est elle aussi un peu longue avec ses \u00ab\u00a0oh oho oh<\/em>\u00a0\u00bb qui sont d’ailleurs pr\u00e9sents sur le refrain. \u00c0 mon go\u00fbt ils cassent la dynamique du morceau qui est bien plus \u00e9nerv\u00e9 sur ses couplets et soli. La transition est un peu brutale et donne l’impression d’avoir \u00e9t\u00e9 pos\u00e9 l\u00e0 sans chercher \u00e0 la pr\u00e9parer. Le titre reste bon mais aurait pu \u00eatre \u00e9norme ! Ce d\u00e9faut sur les refrains va ressurgir quelques fois d’ici la fin de l’album….<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00c0 l’instar du titre pr\u00e9c\u00e9dent, \u00ab\u00a0UNHALL\u00d8WED<\/span>\u00a0\u00bb \u00e9tait connu avant la sortie du CD. Je ne suis pas super fan des parties cleans que l’on retrouve en intro mais \u00e9galement dans les refrains, en revanche les riffs sont efficaces, et me rappellent \u00e9norm\u00e9ment \u00ab\u00a0Locust<\/span>\u00ab\u00a0. En revanche, le pont qui \u00ab\u00a0ouvre\u00a0\u00bb la seconde partie du titre est une pure r\u00e9ussite et rattrape le d\u00e9but de la chanson que je trouve d\u00e9cousu, avec toujours en fond l’impression d’entendre certaines parties tr\u00e8s inspir\u00e9es de \u00ab\u00a0Locust<\/span>\u00a0\u00bb (la fin du pont\/solo). C’est le premier titre qui me laisse une impression mitig\u00e9e avec une premi\u00e8re partie moyenne et une seconde beaucoup plus r\u00e9ussie.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Nouvelle interlude avec \u00ab\u00a0ASSIMILATE<\/span>\u00a0\u00bb qui sert d’intro pour \u00ab\u00a0KILL THY ENEMIES<\/span>\u00ab\u00a0. Le rythme ralenti au profit d’une grosse lourdeur dans les riffs et l’ambiance. Personnellement je suis plus attir\u00e9 par la vitesse, donc le morceau me touche moins, c’est une sensibilit\u00e9 personnelle et pas un morceau rat\u00e9. Pour affirmer mes paradoxes, la partie que je pr\u00e9f\u00e8re du titre est le petit pont en chant clean ! Les soli avec les guitares qui se r\u00e9pondent rappellent les grandes heures de l’in\u00e9narrable \u00ab\u00a0The Blackening<\/span>\u00a0\u00bb (j’ai tenu 6 chansons avant d’y revenir !). L’outro poss\u00e8de un petit air de Fear Factory<\/strong>, assez m\u00e9canique et concluant bien le morceau. Passons au titre d\u00e9voil\u00e9 avec la sortie de l’album \u00ab\u00a0N\u00d8 G\u00d8DS, N\u00d8 MASTERS<\/span>\u00ab\u00a0. Apr\u00e8s une (nouvelle !) intro clean, les guitares et la double p\u00e9dale prennent le relai pour un couplet \u00e0 fond la caisse. Le refrain est plus dans ce que je qualifierai de\u00a0Machine Head<\/strong> \u00ab\u00a0moderne\u00a0\u00bb mais dans ses bons c\u00f4t\u00e9s f\u00e9d\u00e9rateurs et taill\u00e9s pour le live.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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J’arrive \u00e0 ma d\u00e9ception de cet album : \u00ab\u00a0BL\u00d8\u00d8DSH\u00d8T<\/span>\u00ab\u00a0, que je consid\u00e8re, au niveau de sa composition comme super et le plus proche de l’esprit \u00ab\u00a0The Blackening<\/em><\/span>\u00a0\u00bb (promis c’est la derni\u00e8re r\u00e9f\u00e9rence !). Mais je n’arrive pas \u00e0 appr\u00e9cier le refrain fa\u00e7on \u00ab\u00a0hardcore<\/em> primaire\u00a0\u00bb (d\u00e9sol\u00e9 \u00e0 tous nos amis coreux !). Les jeux avec le vibrato sont g\u00e9niaux de m\u00eame que le solo, mais le refrain, ce n’est pas possible, c’est la d\u00e9bande instantan\u00e9e. Pour se remettre de cette d\u00e9ception, rien de mieux qu’un bon morceau rentre-dedans qui va \u00e0 l’essentiel : \u00ab\u00a0R\u00d8TTEN<\/span>\u00ab\u00a0. Ce n’est pas forc\u00e9ment le meilleur titre de\u00a0\u00ab\u00a0<\/span><\/span>\u00d8F KINGD\u00d8M AND CR\u00d8WN<\/em><\/span>\u00bb, mais il fait efficacement son travail. J’appuie tout particuli\u00e8rement sur le solo qui est tr\u00e8s bien compos\u00e9.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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On conclut cet album du renouveau avec l’interlude \u00ab\u00a0TERMINUS<\/span>\u00a0\u00bb qui ouvre \u00ab\u00a0ARR\u00d8WS IN W\u00d8RDS FR\u00d8M THE SKY<\/span>\u00a0\u00bb qui faisait partie de l’ EP \u00e9ponyme. Autant mon impression \u00e9tait mitig\u00e9e lorsque l’EP \u00e9tait sorti, autant en conclusion de cet album, je la trouve magistrale ! Il y a un petit c\u00f4t\u00e9 \u00ab\u00a0A Farewell to Arms<\/span>\u00a0\u00bb (ok je vous ai menti tout \u00e0 l’heure !), qui est la chanson la plus sous-cot\u00e9e de la discographie du groupe \u00e0 mon go\u00fbt. Le refrain est extraordinaire d’\u00e9motions, on retrouve des harmoniques sur le pont qui est plus sombre, le solo est tr\u00e8s beau. C’est ce genre de titre qui montre l’importance du choix de l’ordre des pistes d’un album, je n’aurais jamais autant appr\u00e9ci\u00e9 cette chanson positionn\u00e9 ailleurs sur l’album ! Elle conclut de fa\u00e7on fantastique ce \u00ab\u00a0<\/span><\/span>\u00d8F KINGD\u00d8M AND CR\u00d8WN<\/em><\/span>\u00bb. La version bonus comporte le titre \u00ab\u00a0EXTR\u00d8CEPTI\u00d8N<\/span>\u00a0\u00bb qui est une tr\u00e8s bonne instrumentale qui envoie comme il faut, dans un exercice que pratique tr\u00e8s peu Machine Head<\/strong>. Il y a \u00e9galement une version acoustique de \u00ab\u00a0ARR\u00d8WS IN W\u00d8RDS FR\u00d8M THE SKY<\/span>\u00ab\u00a0, qui me touche beaucoup moins, ayant une allergie assez pouss\u00e9e \u00e0 l’acoustique !<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Si vous \u00eates arriv\u00e9s jusqu’ici, vous vous en doutez, mais je peux enfin le dire \u00ab\u00a0Machine Fuckin’Head<\/strong> is back\u00a0\u00bb et \u00e7a fait du bien ! La pers\u00e9v\u00e9rance a pay\u00e9, m\u00eame si l’album n’est pas parfait avec quelques d\u00e9fauts ici et l\u00e0 : intro un peu longues (\u00ab\u00a0SLAUGHTER THE MARTYR<\/span>\u00ab\u00a0, \u00ab\u00a0<\/span>MY HANDS ARE EMPTY<\/span>\u00ab\u00a0, \u00ab\u00a0UNHALL\u00d8WED<\/span>\u00ab\u00a0), un peu trop de chants cleans, des refrains pas toujours \u00e0 la hauteur des couplets (\u00ab\u00a0BL\u00d8\u00d8DSH\u00d8T<\/span>\u00ab\u00a0). Cependant, il n’y a aucun mauvais morceau et il se r\u00e9v\u00e8le \u00eatre meilleur \u00e0 chaque \u00e9coute. Aucun doute il passera l’\u00e9preuve du temps et du live sans aucun soucis !\u00a0 \u00ab\u00a0Do you know how to headbang? Headbang motherfuckers !\u00a0\u00bb<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tracklist :<\/span><\/p>

1. SLAUGHTER THE MARTYR<\/em>
2. CH\u00d8KE \u00d8N THE ASHES \u00d8F Y\u00d8UR HATE<\/em>
3. BEC\u00d8ME THE FIREST\u00d8RM<\/em>
4. \u00d8VERD\u00d8SE<\/em>
5. MY HANDS ARE EMPTY<\/em>
6. UNHALL\u00d8WED<\/em>
7. ASSIMILATE<\/em>
8. KILL THY ENEMIES<\/em>
9. N\u00d8 G\u00d8DS, N\u00d8 MASTERS<\/em>
10. BL\u00d8\u00d8DSH\u00d8T<\/em>
11. R\u00d8TTEN<\/em>
12. TERMINUS<\/em>
13. ARR\u00d8WS IN W\u00d8RDS FR\u00d8M THE SKY<\/em>
14. EXTER\u00d8CEPTI\u00d8N (Bonus Track)<\/em>
15. ARR\u00d8WS IN W\u00d8RDS FR\u00d8M THE SKY (ACOUSTIC) (Bonus Track)<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Machine Head \u00ab \u00d8F KINGD\u00d8M AND CR\u00d8WN\u00bb Format: Album Genre: Thrash metalPays: USALabel: Nuclear Blast RecordsSortie: 26.08.22Note: 4.5\/5 Il y a des groupes pour lesquels, de temps en temps, la pers\u00e9v\u00e9rance […]<\/p>\n","protected":false},"author":3,"featured_media":7644,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[66,89,436,124,95],"yoast_head":"\nMachine Head - "\u00d8F KINGD\u00d8M AND CR\u00d8WN" @Nuclear Blast Records - RiskTheDeath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.riskthedeath.fr\/index.php\/2022\/08\/30\/machine-head-of-kingdom-and-crown-nuclear-blast-records\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Machine Head - 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