{"id":6615,"date":"2022-02-09T12:24:55","date_gmt":"2022-02-09T11:24:55","guid":{"rendered":"https:\/\/www.riskthedeath.fr\/?p=6615"},"modified":"2024-06-14T17:20:30","modified_gmt":"2024-06-14T15:20:30","slug":"venom-prison-erevos","status":"publish","type":"post","link":"https:\/\/www.riskthedeath.fr\/index.php\/2022\/02\/09\/venom-prison-erevos\/","title":{"rendered":"Venom Prison: \u00ab\u00a0Erebos\u00a0\u00bb"},"content":{"rendered":"\t\t
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\"\"Venom Prison<\/b><\/span><\/span>
\u00ab\u00a0Erevos<\/u><\/i> \u00bb<\/span><\/span>
Format : Album<\/span><\/span>
Genre : Death metal\/Hardcore<\/span><\/span>
Pays : Angleterre<\/span><\/span>
Label : Century Media Records<\/span><\/span>
Sortie : 04.02.22<\/span><\/span>
Note\u00a0: 4.5\/5<\/span><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Les anglais de Venom Prison <\/b>sont de retour avec \u00ab\u00a0Erebos<\/u><\/i>\u00a0\u00bb, leur 3\u00e8me long format. Inutile de vous dire que le temps pass\u00e9 en isolation (merci covid) a incit\u00e9 les groupes \u00e0 repenser et \u00e0 \u00e9toffer leur son. Venom Prison fait parti de ces groupes. Et non ils n’ont pas changer de style pour autant, les anglais ont gard\u00e9 la recette pour envoyer des parpaings death\/hardcore, mais pour cet album, ils ont pris quelques risques qui pourraient (ou pas) \u00e9nerver les fans de la premi\u00e8re heure. Et qu’est-ce qui \u00e9nerve les fans par dessus tout\u00a0? Vous l’avez dans le mille… Les voix claires\u00a0! Mais nous y reviendrons plus tard\u00a0!<\/span><\/span><\/p>

Le groupe d\u00e9marre cet album avec \u00ab\u00a0Born of Chaos<\/u>\u00a0\u00bb, une intro de moins de 2 minutes ou la chanteuse r\u00e9p\u00e8te \u00e0 plusieurs reprises \u00ab\u00a0EREBOS… EREBOS\u00a0\u00bb, puis encha\u00eene avec \u00ab\u00a0born from chaos (erebos), rise from darkness (erebos)\u00a0\u00bb\u00a0: et comme vous le savez d\u00e9j\u00e0 (ou pas), dans la mythologie grecque Erebos est le dieu des t\u00e9n\u00e8bres, les t\u00e9n\u00e8bres personnifi\u00e9. Du coup, il y a de fortes chances que cet album soit… sombre\u00a0! \u00ab\u00a0Judges of the Underworld\u00a0\u00bb se lance est c’est reparti pour une paire de claques en pleine tronc… visage. Le m\u00e9lange death\/hardcore fait toujours mouche. Les riffs sont assassins, les percussions sont ultra dynamiques et la prestation de Larissa<\/i> est absolument incroyable. Aucun r\u00e9pit et aucun survivant\u00a0! Le ton est donn\u00e9, ils sont l\u00e0 pour faire mal\u00a0! Et ils le font tr\u00e8s bien. \u00ab\u00a0Nemesis<\/u>\u00a0\u00bb et \u00ab\u00a0Comfort of Complicity<\/u>\u00a0\u00bb assurent l’essentiel, rien n’est transcendant mais tout est parfaitement ex\u00e9cut\u00e9\u00a0! C’est avec \u00ab\u00a0Pain of Oisys<\/u>\u00a0\u00bb que le groupe prend un virage inattendu. La surprise a \u00e9t\u00e9 la r\u00e9action que j’ai eu en \u00e9coutant cette chanson. En effet, c’est la chanson la plus calme, la plus \u00e9nerv\u00e9e et la plus belle que le groupe ai compos\u00e9. La d\u00e9couverte de la voix claire de Larissa est \u00e0 couper le souffle, non seulement \u00e0 travers sa voix, mais surtout \u00e0 travers ses textes. Elle y met toute son \u00e9nergie et sa hargne, j’ai r\u00e9ellement senti de l’honn\u00eatet\u00e9 dans cette chanson. Le groupe n’a pas pris ces risques juste pour \u00eatre dans la hype des groupes qui ralentissent leur part de brutalit\u00e9. C’est une suite logique et une \u00e9volution intelligente par rapport au concept de l’album. Et justement cette chanson fait partie du fer de lance des ajouts musicaux que le groupe a op\u00e9r\u00e9 dans cet album. Certes c’est subtil, un peu d’\u00e9lectronique dans l’ouverture du morceau \u00ab\u00a0Golden Apples of the Hesperides<\/u>\u00a0\u00bb. Des moments tr\u00e8s m\u00e9lodique sur \u00ab\u00a0Castigated in Steel and Concrete<\/u>\u00a0\u00bb, et surtout des moments tr\u00e8s tr\u00e8s techniques, le groupe s’est l\u00e2ch\u00e9 sur les parties instrumentales techniques\u00a0! L’album se conclut en beaut\u00e9, avec certainement la meilleure chanson du combo\u00a0: \u00ab\u00a0Technology of Death<\/u>\u00a0\u00bb qui est un condens\u00e9 de ce que le groupe a cr\u00e9\u00e9 durant tout cet album. On y retrouve bien \u00e9videmment la hargne death\/hardcore, le c\u00f4t\u00e9 plus m\u00e9lodique avec des guitares plus \u00ab\u00a0post rock\u00a0\u00bb, des ajouts orchestraux et \u00e9lectroniques. L’album se termine comme il a commenc\u00e9 \u00ab\u00a0EREBOS\u2026 EREBOS… EREBOS\u00a0\u00bb. Bref cette chanson est une tuerie monumentale\u00a0!<\/span><\/span><\/p>

Pour conclure, Venom<\/b> Prison<\/b> a \u00e0 mon humble avis, d\u00e9livr\u00e9 ici leur meilleur album. La production est tr\u00e8s bonne, l’\u00e9criture encore meilleure et l’ex\u00e9cution fait mouche. La suite s’annonce radieuse\u00a0!<\/span><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tracklist :<\/u><\/span><\/span><\/span>
1. Born from Chaos<\/span><\/span><\/i><\/span>
2. Judges of the Underworld<\/span><\/span><\/i><\/span>
3. Nemesis<\/span><\/span><\/i><\/span>
4. Comfort of Complicity<\/span><\/span><\/i><\/span>
5. Pain of Oizys<\/span><\/span><\/i><\/span>
6. Golden Apples of the Hesperides<\/span><\/span><\/i><\/span>
7. Castigated in Steel and Concrete<\/span><\/span><\/i><\/span>
8. Gorgon Sisters<\/span><\/span><\/i><\/span>
9. Veil of Night<\/span><\/span><\/i><\/span>
10. Technologies of Death<\/span><\/span><\/i><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Venom Prison\u00ab\u00a0Erevos \u00bbFormat : AlbumGenre : Death metal\/HardcorePays : AngleterreLabel : Century Media RecordsSortie : 04.02.22Note\u00a0: 4.5\/5 Les anglais de Venom Prison sont de retour avec \u00ab\u00a0Erebos\u00a0\u00bb, leur 3\u00e8me long […]<\/p>\n","protected":false},"author":4,"featured_media":6617,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[66,50,197,96,103,157,403],"yoast_head":"\nVenom Prison: "Erebos" - RiskTheDeath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.riskthedeath.fr\/index.php\/2022\/02\/09\/venom-prison-erevos\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Venom Prison: "Erebos" - RiskTheDeath\" \/>\n<meta property=\"og:description\" content=\"Venom Prison\u00ab\u00a0Erevos \u00bbFormat : AlbumGenre : Death metal\/HardcorePays : AngleterreLabel : Century Media RecordsSortie : 04.02.22Note\u00a0: 4.5\/5 Les anglais de Venom Prison sont de retour avec \u00ab\u00a0Erebos\u00a0\u00bb, leur 3\u00e8me long […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.riskthedeath.fr\/index.php\/2022\/02\/09\/venom-prison-erevos\/\" \/>\n<meta property=\"og:site_name\" content=\"RiskTheDeath\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/riskthedeath\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-02-09T11:24:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-06-14T15:20:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.riskthedeath.fr\/wp-content\/uploads\/2022\/02\/Venom-Prison.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"620\" \/>\n\t<meta property=\"og:image:height\" content=\"413\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jonviking\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jonviking\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.riskthedeath.fr\/index.php\/2022\/02\/09\/venom-prison-erevos\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.riskthedeath.fr\/index.php\/2022\/02\/09\/venom-prison-erevos\/\"},\"author\":{\"name\":\"Jonviking\",\"@id\":\"https:\/\/www.riskthedeath.fr\/#\/schema\/person\/3090e9c95c94830148e4cfa09b5de801\"},\"headline\":\"Venom Prison: \u00ab\u00a0Erebos\u00a0\u00bb\",\"datePublished\":\"2022-02-09T11:24:55+00:00\",\"dateModified\":\"2024-06-14T15:20:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.riskthedeath.fr\/index.php\/2022\/02\/09\/venom-prison-erevos\/\"},\"wordCount\":623,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.riskthedeath.fr\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.riskthedeath.fr\/index.php\/2022\/02\/09\/venom-prison-erevos\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.riskthedeath.fr\/wp-content\/uploads\/2022\/02\/Venom-Prison.jpg\",\"keywords\":[\"4.5*\",\"4*\",\"Angleterre\",\"Century Media Records\",\"Death metal\",\"Hardcore\",\"Venom Prison\"],\"articleSection\":[\"Chroniques des nouveaut\u00e9s\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.riskthedeath.fr\/index.php\/2022\/02\/09\/venom-prison-erevos\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.riskthedeath.fr\/index.php\/2022\/02\/09\/venom-prison-erevos\/\",\"url\":\"https:\/\/www.riskthedeath.fr\/index.php\/2022\/02\/09\/venom-prison-erevos\/\",\"name\":\"Venom Prison: \\\"Erebos\\\" - 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