{"id":5320,"date":"2021-08-19T12:52:15","date_gmt":"2021-08-19T10:52:15","guid":{"rendered":"https:\/\/www.riskthedeath.fr\/?p=5320"},"modified":"2021-08-19T12:57:39","modified_gmt":"2021-08-19T10:57:39","slug":"leprous-aphelion-insideout-music","status":"publish","type":"post","link":"https:\/\/www.riskthedeath.fr\/index.php\/2021\/08\/19\/leprous-aphelion-insideout-music\/","title":{"rendered":"Leprous – \u00ab\u00a0Aphelion\u00a0\u00bb @InsideOut Music"},"content":{"rendered":"\t\t
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\"\"Leprous<\/b>
\u00ab Aphelion<\/em><\/span>\u00bb<\/span>
Format : Album<\/span>
Genre : Metal progressif<\/span>
Pays : Norv\u00e8ge<\/span>
Label : InsideOut Music<\/span>
Sortie : 27.08.21<\/span>
Note\u00a0: 2.5\/5<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Leprous<\/strong> est un groupe que j’ai d\u00e9couvert gr\u00e2ce aux algorithmes de Spotify<\/em> et Youtube<\/em>. J’ai tout de suite ador\u00e9 les \u00e9motions que transmettent la musique et surtout l’extraordinaire voix de Einar Solberg<\/em>. Mais vu que je suis un gros flemmard, je n’ai pas pouss\u00e9 beaucoup plus loin l’\u00e9coute, me contentant des quelques morceaux qui font maintenant partie de mes playlists. A ma d\u00e9charge, je suis plut\u00f4t un adepte de la vitesse, donc des titres comme \u00ab\u00a0Below<\/span>\u00a0\u00bb ou \u00ab\u00a0Slave<\/span>\u00ab\u00a0, que je trouve excellents au demeurant, ne sont pas forc\u00e9ment dans mes \u00e9coutes quotidienne. Il me faut un certain \u00e9tat d’esprit pour en profiter compl\u00e9tement (on oublie le matin en r\u00e9veil en gros!). Lorsque l’on m’a propos\u00e9 d’\u00e9couter le dernier-n\u00e9 du groupe norv\u00e9gien : \u00ab\u00a0Aphelion<\/em><\/span>\u00ab\u00a0, je me suis dis \u00ab\u00a0Banco!\u00a0\u00bb. J’ai pu profiter de l’exp\u00e9rience d’un album entier de Leprous<\/strong> pour la premi\u00e8re fois, sans savoir quels sentiments cela provoqueraient chez moi. Vous allez le d\u00e9couvrir tout de suite bande de petits veinards!<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab\u00a0Aphelion<\/em><\/span>\u00a0\u00bb s’ouvre avec \u00ab\u00a0Running Low<\/span>\u00ab\u00a0, titre d\u00e9j\u00e0 connu, puisqu’il a \u00e9t\u00e9 le premier d\u00e9voil\u00e9 via un clip vid\u00e9o. D\u00e8s son introduction, on retrouve toute la puissance \u00e9motionnelle du chant d’Einar Solberg<\/em>, qui domine et m\u00e8ne le titre. L\u00e0 ou \u00e7a se g\u00e2te, c’est sur le refrain, beaucoup trop pop<\/em> \u00e0 mon go\u00fbt, entre la ligne de chant et les petites vocalises en backvoices<\/em>, qui font retomber l’ambiance. Cependant le reste de \u00ab\u00a0Running Low<\/span>\u00a0\u00bb est tr\u00e8s bon, avec une orchestration \u00e0 base de violons tr\u00e8s r\u00e9ussie pour finir. On encha\u00eene avec \u00ab\u00a0Out of Here<\/span>\u00a0\u00bb qui va avoir une structure que l’on va retrouver dans la plupart des morceaux de cet album. Une introduction tr\u00e8s lente (m\u00eame pour du Leprous<\/strong>!), quasiment a cappella<\/em>, totalement port\u00e9e par le chant, abandonnant tous les instruments et m\u00e9lodies \u00e0 leur triste sort pendant la moiti\u00e9 ou les 2\/3 du titre. Ils reviennent en avant pour le dernier tiers de la chanson pour un ensemble regroupant m\u00e9lodie, puissance et \u00e9motion que je trouve g\u00e9nial. \u00ab\u00a0Silhouette<\/span>\u00a0\u00bb propose un son tendant vers l’\u00e9lectro<\/em> notamment pour la basse et toujours un chant extraordinaire, malgr\u00e9 des vocalises qui n’apportent pas grand chose et \u00ab\u00a0diluent\u00a0\u00bb les \u00e9motions. Le morceau suivant, \u00ab\u00a0All the Moments<\/span>\u00ab\u00a0, est dans la m\u00eame veine que \u00ab\u00a0Out of Here<\/span>\u00a0\u00bb dans sa structure. Les couplets tirent en longueur, surtout une partie piano\/chant qui me laisse totalement indiff\u00e9rent (il faut savoir que le piano est un instrument qui ne me fait absolument rien). \u00ab\u00a0Have you Ever?<\/span>\u00a0\u00bb propose des sons de guitare assez d\u00e9routants et artificiels, mais dans des sonorit\u00e9s pop<\/em>, qui me touchent moins m\u00eame si tout est bien fait. On passe au second single<\/em> sorti par le groupe, \u00e0 savoir \u00ab\u00a0The Silent Revelation<\/span>\u00a0\u00bb qui propose un tr\u00e8s bon riff <\/em>d’intro et un tr\u00e8s bon refrain, mais toujours avec une ligne de chant influenc\u00e9 pop<\/em>. C’est un des meilleur morceau de l’album selon moi malgr\u00e9 ces influences qui me parlent un peu moins. Retour au sch\u00e9ma \u00ab\u00a0classique\u00a0\u00bb avec \u00ab\u00a0The Shadow Side<\/span>\u00ab\u00a0, avec une bonne moiti\u00e9 de la chanson que je consid\u00e8re comme une introduction avant que l’ensemble prenne son envol avec l’arriv\u00e9e de la session rythmique. \u00ab\u00a0On Hold<\/span>\u00a0\u00bb suit le m\u00eame chemin avec une introduction quasiment a cappella<\/em>, un pr\u00e9-refrain assez pop<\/em>, mais un pont qui m’a marqu\u00e9 avec une performance de Baard Kolstad<\/em> \u00e0 la batterie assez hallucinante. Ce genre de chose me fait encore plus regretter que les instruments soient autant en retrait et si peu utilis\u00e9s. Le talent au chant d’Einar Solberg<\/em> est ind\u00e9niable et porte tout le groupe, c’est encore le cas sur \u00ab\u00a0Castaway Angels<\/span>\u00ab\u00a0, mais mon allergie au piano est l\u00e0, et ma partie pr\u00e9f\u00e9r\u00e9e reste la fin ou tout le groupe est pr\u00e9sent! Le dernier titre de l’album, \u00ab\u00a0Nighttime Disguise<\/span>\u00ab\u00a0, est un des rares qui d\u00e9bute avec tous les instruments. Le chant lui-m\u00eame a le droit \u00e0 quelques innovations, avec des parties bien plus graves, au point de me demander si il n’y avait pas un invit\u00e9! A noter \u00e9galement que le titre se termine avec les seuls growls<\/em> de ce \u00ab\u00a0Aphelion<\/span><\/em>\u00ab\u00a0. C’est d\u00e9finitivement mon morceau favori sur ce cd, il repr\u00e9sente tout ce que j’attends dans un morceau de Leprous<\/strong>!\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Comme vous le voyez je suis assez mitig\u00e9 sur cet album. Non pas que les titres soient mauvais, mais je pense plut\u00f4t que le probl\u00e8me vient au moins autant de moi que de \u00ab\u00a0Aphelion<\/em><\/span>\u00a0\u00bb en lui-m\u00eame. Les parties qui me font le plus kiffer sont celles avec l’ensemble du groupe, mais elles repr\u00e9sentent 1\/3 de la dur\u00e9e de la majorit\u00e9 des chansons. C’est d’autant plus dommage \u00e0 mon go\u00fbt qu’avec le talent des musiciens pr\u00e9sents, se reposer \u00ab\u00a0que\u00a0\u00bb sur le chant d’Einar<\/em> est presque du g\u00e2chis! Il faut pr\u00e9ciser une nouvelle fois que mon allergie au piano ne m’aide pas non plus \u00e0 appr\u00e9cier ces parties (\u00ab\u00a0Castaway Angels<\/span>\u00a0\u00bb et \u00ab\u00a0All the Moments<\/span>\u00a0\u00bb par exemple). J’ai aussi \u00e9t\u00e9 assez d\u00e9stabilis\u00e9 par les nombreuses influences pop dans les refrains, comme sur \u00ab\u00a0Running Low<\/span>\u00ab\u00a0, \u00ab\u00a0On Hold<\/span>\u00a0\u00bb et \u00ab\u00a0Have you Ever?<\/span>\u00ab\u00a0. Ma note refl\u00e8te cet \u00e9tat de fait, l’ambigu\u00eft\u00e9 entre donner mon avis et noter de fa\u00e7on objective. Il me faut prendre en compte que les morceaux sont biens compos\u00e9s mais aussi le fait que je ne suis pas forc\u00e9ment sensible \u00e0 certaines parties! Et comme j’aime prendre des risques et que je n’ai peur de rien, je mets tout simplement la moyenne!<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tracklist :<\/span>
1. Running Low<\/em>
2. Out of Here<\/em>
3. Silhouette<\/em>
4. All the Moments<\/em>
5. Have You Ever?<\/em>
6. The Silent Revelation<\/em>
7. The Shadow Side<\/em>
8. On Hold<\/em>
9. Castaway Angels<\/em>
10. Nighttime Disguise<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Leprous\u00ab Aphelion\u00bbFormat : AlbumGenre : Metal progressifPays : Norv\u00e8geLabel : InsideOut MusicSortie : 27.08.21Note\u00a0: 2.5\/5 Leprous est un groupe que j’ai d\u00e9couvert gr\u00e2ce aux algorithmes de Spotify et Youtube. J’ai […]<\/p>\n","protected":false},"author":3,"featured_media":5321,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"yoast_head":"\nLeprous - "Aphelion" @InsideOut Music - RiskTheDeath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.riskthedeath.fr\/index.php\/2021\/08\/19\/leprous-aphelion-insideout-music\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Leprous - "Aphelion" @InsideOut Music - RiskTheDeath\" \/>\n<meta property=\"og:description\" content=\"Leprous\u00ab Aphelion\u00bbFormat : AlbumGenre : Metal progressifPays : Norv\u00e8geLabel : InsideOut MusicSortie : 27.08.21Note\u00a0: 2.5\/5 Leprous est un groupe que j’ai d\u00e9couvert gr\u00e2ce aux algorithmes de Spotify et Youtube. 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