{"id":12413,"date":"2025-07-02T11:10:17","date_gmt":"2025-07-02T09:10:17","guid":{"rendered":"https:\/\/www.riskthedeath.fr\/?p=12413"},"modified":"2025-08-01T14:29:17","modified_gmt":"2025-08-01T12:29:17","slug":"queens-of-the-stage-une-journee-100-feminine-au-hellfest-2025","status":"publish","type":"post","link":"https:\/\/www.riskthedeath.fr\/index.php\/2025\/07\/02\/queens-of-the-stage-une-journee-100-feminine-au-hellfest-2025\/","title":{"rendered":"Queens of the Stage : une journ\u00e9e 100% f\u00e9minine au Hellfest 2025"},"content":{"rendered":"\t\t
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Alors qu\u2019en 2019, la Mainstage 2 du vendredi avait \u00e9t\u00e9 d\u00e9di\u00e9e \u00e0 des groupes 100\u202f% fran\u00e7ais, mettant en avant la richesse de la sc\u00e8ne nationale avec des artistes comme Lofofora, Ultra Vomit, Mass Hysteria ou Gojira; en 2025, c\u2019est donc une nouvelle th\u00e9matique engag\u00e9e qui investit cette sc\u00e8ne, cette fois sur l\u2019axe de la repr\u00e9sentation f\u00e9minine dans les musiques extr\u00eames. En effet, puisque l\u2019int\u00e9gralit\u00e9 de la programmation de la Mainstage\u202f2 du vendredi \u00e9tait d\u00e9di\u00e9e aux artistes enti\u00e8rement f\u00e9minines ou men\u00e9es par des frontwomen. Une premi\u00e8re dans l\u2019histoire du festival\u2026<\/span><\/i><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Neuf groupes exclusivement f\u00e9minins ou men\u00e9s par des femmes se sont donc succ\u00e9d\u00e9s, du matin jusqu\u2019\u00e0 tard dans la nuit, une premi\u00e8re pour un grand festival europ\u00e9en de musiques extr\u00eames. C\u2019est un message fort adress\u00e9 \u00e0 un milieu encore largement domin\u00e9 par les hommes. Parmi ces femmes, on pouvait citer l\u2019avant-gardiste <\/span>Karoline Rose <\/span><\/i>de <\/span>SUN<\/b>, l\u2019\u00e9l\u00e9gante <\/span>Charlotte Wessels<\/span><\/i>, la prometteuse <\/span>Amira Elfeky<\/span><\/i>, la percutante <\/span>Maria Lessing <\/span><\/i>de <\/span>Future Palace<\/b>, la furieuse <\/span>Morgan Lander <\/span><\/i>de <\/span>Kittie<\/b>, l\u2019hypnotique <\/span>Courtney LaPlante <\/span><\/i>de <\/span>Spiritbox<\/b>, la grandiose <\/span>Simone Simons <\/span><\/i>de <\/span>Epica<\/b>, l\u2019engag\u00e9e <\/span>Sharon den Adel <\/span><\/i>de <\/span>Within Temptation <\/b>et l\u2019ensorceleuse <\/span>Maria Franz <\/span><\/i>de <\/span>Heilung<\/b>.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Une visibilit\u00e9 accrue des femmes dans le metal\n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dans un monde o\u00f9 la repr\u00e9sentation f\u00e9minine dans les grands festivals metal reste minoritaire, cette journ\u00e9e fait figure d\u2019acte fort tout en s\u2019int\u00e9grant parfaitement dans l\u2019ADN du Hellfest qui pr\u00f4ne la libert\u00e9, la diversit\u00e9 et la rupture des codes dominants. C\u2019\u00e9tait une volont\u00e9 affich\u00e9e de rompre avec les st\u00e9r\u00e9otypes et de mettre des femmes en position centrale sur l\u2019une des sc\u00e8nes les plus prestigieuses du festival. <\/span>Ce n’\u00e9tait pas une \u201cparenth\u00e8se f\u00e9minine\u201d, mais bien une reconfiguration de la norme<\/span>: celle o\u00f9 les femmes ne sont plus invit\u00e9es, mais personnes centrales. Par cette d\u00e9marche, le festival ne s’est pas content\u00e9 de donner la parole aux artistes f\u00e9minines: il leur a donn\u00e9 la sc\u00e8ne, le temps, la puissance sonore et la symbolique qu\u2019elles m\u00e9ritent<\/span>.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Simone Simons, chanteuse du groupe Epica, le vendredi 20 juin sur la Mainstage 2<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Une diversit\u00e9 stylistique et g\u00e9ographique des groupes\n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cette journ\u00e9e a permis de croiser les continents, les langues, les styles et les traditions musicales avec des artistes venues d\u2019horizons tr\u00e8s diff\u00e9rents, toutes r\u00e9unies par un point commun: leur puissance artistique et sc\u00e9nique. Du brutal-pop \u00e0 la symphonie, du folk ancestral au djent moderne, sur sc\u00e8ne on retrouvait une palette musicale vari\u00e9e. Mais \u00e9galement une s\u00e9lection internationale qui d\u00e9passe largement les fronti\u00e8res europ\u00e9ennes ou anglo-saxonnes souvent dominantes dans les grands festivals metal. En effet, la France, les Pays-Bas, les \u00c9tats-Unis, l\u2019Allemagne, le Canada ou encore le Danemark \u00e9taient repr\u00e9sent\u00e9s sur cette journ\u00e9e.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Cette journ\u00e9e a offert bien plus qu\u2019une simple succession de concerts, elle a dress\u00e9 le portrait vibrant et puissant d\u2019une sc\u00e8ne metal f\u00e9minine \u00e0 la fois diverse, engag\u00e9e et internationale. En r\u00e9unissant neuf groupes venus de sept pays, cette journ\u00e9e illustre une r\u00e9alit\u00e9 musicale et soci\u00e9tale o\u00f9 les femmes occupent une place centrale dans l\u2019\u00e9volution du metal, non seulement comme interpr\u00e8tes, mais comme v\u00e9ritables cr\u00e9atrices et actrices de changement et invite \u00e0 repenser le milieu non plus comme un univers ferm\u00e9 ou uniforme, mais comme un espace d\u2019ouverture, de dialogue et de m\u00e9tissage. Cette \u201cQueens of the Stage\u201d r\u00e9affirme \u00e9galement l\u2019importance de th\u00e9matiques fortes et coh\u00e9rentes dans la construction d\u2019un festival qui sait \u00e9voluer avec son temps…<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Alors qu\u2019en 2019, la Mainstage 2 du vendredi avait \u00e9t\u00e9 d\u00e9di\u00e9e \u00e0 des groupes 100\u202f% fran\u00e7ais, mettant en avant la richesse de la sc\u00e8ne nationale avec des artistes comme Lofofora, […]<\/p>\n","protected":false},"author":6,"featured_media":12247,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[174,552],"yoast_head":"\nQueens of the Stage : une journ\u00e9e 100% f\u00e9minine au Hellfest 2025 - RiskTheDeath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.riskthedeath.fr\/index.php\/2025\/07\/02\/queens-of-the-stage-une-journee-100-feminine-au-hellfest-2025\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Queens of the Stage : une journ\u00e9e 100% f\u00e9minine au Hellfest 2025 - 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