{"id":11577,"date":"2025-02-07T10:30:00","date_gmt":"2025-02-07T09:30:00","guid":{"rendered":"https:\/\/www.riskthedeath.fr\/?p=11577"},"modified":"2025-02-10T13:26:03","modified_gmt":"2025-02-10T12:26:03","slug":"dream-theater-parasomnia-inside-out-music","status":"publish","type":"post","link":"https:\/\/www.riskthedeath.fr\/index.php\/2025\/02\/07\/dream-theater-parasomnia-inside-out-music\/","title":{"rendered":"Dream Theater – \u00ab\u00a0Parasomnia\u00a0\u00bb @Inside Out music"},"content":{"rendered":"\t\t
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\"DreamDream Theater<\/span>
\u00ab\u00a0Parasomnia<\/u>\u00a0<\/span>\u00ab\u00a0<\/span>
Format: Album<\/span>
Genre: Metal progressif<\/span>
Pays: \u00c9tats-Unis<\/span>
Label: Insde Out music<\/span>
Sortie: 07.02.25<\/span>
Note: 4.5\/5<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Il y a des souvenirs et des moments qui nous reviennent avec nostalgie, et que l’on raconte \u00e0 ceux qui ne les ont pas connus. On se demande alors si cette \u00e9poque reviendra un jour, sans jamais trop y croire. Et pourtant c’est en octobre 2023, que la bonne nouvelle est annonc\u00e9e: Mike Portnoy<\/i> est de retour dans\u00a0Dream Theater<\/b>. Malgr\u00e9 la tr\u00e8s bonne qualit\u00e9 des albums du groupe avec Mike Mangin<\/i>i, car le talent du bonhomme \u00e9tait ind\u00e9niable, il faut reconna\u00eetre qu’il n’avait pas le feeling de son homonyme. Cette annonce est accompagn\u00e9e d’une tourn\u00e9e anniversaire mais surtout d’un nouvel album nomm\u00e9 \u00ab\u00a0Parasomnia<\/i><\/u>\u00ab\u00a0. Pas besoin d’\u00eatre anglophone pour comprendre le th\u00e8me de l’album lorsque l’on voit la pochette. Les couleurs de celle-ci, me font penser \u00e0 \u00ab\u00a0Black Clouds & Silver Lining<\/i><\/u>\u00ab\u00a0, le dernier album enregistr\u00e9 avec Mike Portnoy<\/i>\u00a0(en 2009), mais en plus sombre. Ce n’est pas une surprise, les 8 titres occuperont la totalit\u00e9 de l’espace disponible sur le CD: c’est-\u00e0-dire 70 minutes, avec un dernier titre oscillant avec les 20 minutes pour conclure en beaut\u00e9. Mais avant d’y arriver, commen\u00e7ons par le commencement et plongeons dans ce \u00ab\u00a0Parasomnia<\/i><\/u>\u00ab\u00a0.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00c0 peine l’introduction de \u00ab\u00a0In The Arms Of Morpheus<\/u>\u00a0\u00bb termin\u00e9e, on est <\/span>frapp\u00e9 par la lourdeur du son, qui peut rappeler l’album \u00ab\u00a0Systematic Chaos<\/i><\/u>\u00ab\u00a0. Ce premier titre qui est instrumental laisse \u00e0 chacun son moment, presque comme une pr\u00e9sentation du groupe. Arrive ensuite le premier morceau d\u00e9voil\u00e9 par Dream Theater<\/b> et le seul jou\u00e9 en live durant la tourn\u00e9e : \u00ab\u00a0Night Terror<\/u>\u00ab\u00a0. C’est un morceau assez long, mais les minutes d\u00e9filent \u00e0 toute vitesse, tant le morceau est bon. Le riff tr\u00e8s thrash <\/i>de John Petrucci<\/i> est accompagn\u00e9 par toute la subtilit\u00e9 de Mike Portnoy<\/i> qui ne cherche pas \u00e0 faire de d\u00e9monstrations inutiles. James LaBrie<\/i> semble d’ailleurs avoir appris de ses d\u00e9boires, car il ne cherche aucunement \u00e0 partir dans les aig\u00fces, ce qui n’est pas un mal, au vu de ses difficult\u00e9s, notamment en live. Le refrain est une r\u00e9ussite totale, les amateurs de m\u00e9triques impaires ne seront pas d\u00e9\u00e7us non plus, le pont et les soli en regorgent. \u00ab\u00a0Night Terror<\/u>\u00a0\u00bb entre dans mon top 10 de mes titres pr\u00e9f\u00e9r\u00e9s du groupe (et elle passe le cap du live parfaitement). Le second titre a avoir \u00e9t\u00e9 d\u00e9voil\u00e9, A Broken Man<\/u>\u00ab\u00a0, prend la suite\u00a0avec encore une fois une introduction pour faire briller Mike Portnoy<\/i>. Le rythme est bien plus lent et bien plus complexe que \u00ab\u00a0Night Terror<\/u>\u00a0\u00bb et colle parfaitement avec l’ambiance de la pochette de \u00ab\u00a0Parasomnia<\/i><\/u>\u00ab\u00a0. Le pont, tr\u00e8s surprenant, semble tout droit sorti de \u00ab\u00a0Scenes From a Memory Part II.<\/i><\/u>\u00ab\u00a0, pour conduire \u00e0 un final o\u00f9 James LaBrie<\/i> arrive \u00e0 nous dresser les poils d’\u00e9motion.\u00a0<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Place maintenant au premier titre de plus de 10 minutes,\u00a0\u00ab\u00a0Dead Asleep<\/u>\u00ab\u00a0, qui est un morceau \u00ab\u00a0classique\u00a0\u00bb de Dream Theater<\/b>. Il est agr\u00e9able \u00e0 \u00e9couter mais ne r\u00e9volutionnera pas la carri\u00e8re du groupe. \u00ab\u00a0Midnight Messiah<\/u>\u00a0\u00bb est en revanche bien plus int\u00e9ressante : le riff des couplets est tr\u00e8s agr\u00e9able, toujours avec cette ambiance sombre qui r\u00e9ussi tr\u00e8s bien \u00e0 \u00ab\u00a0Parasomnia<\/i><\/u>\u00ab\u00a0. Le chant est encore une fois \u00e0 la hauteur, sur une palette plus \u00e9motive que l’on ne connaissait pas forc\u00e9ment, mais qui est clairement une r\u00e9ussite. Le changement de rythme sur le refrain, m\u00eame s’il est assez\u00a0<\/span>perturbant, apporte une originalit\u00e9 bienvenue. Que dire des soli de fin avec leurs cascades de note jou\u00e9es \u00e0 toute vitesse? \u00ab\u00a0Are We Dreaming?<\/u>\u00a0\u00bb sert d’introduction \u00e0 la ballade \u00ab\u00a0Bend The Clock<\/u>\u00ab\u00a0, qui, si elle n’atteint pas les sommets de \u00ab\u00a0The Spirit Carries On<\/u>\u00ab\u00a0, reste sympathique \u00e0 \u00e9couter, avec une belle mont\u00e9e en intensit\u00e9.\u00a0<\/span>Pour finir \u00ab\u00a0Parasomnia<\/i><\/u>\u00ab\u00a0, Dream Theater<\/b>, comme \u00e0 son habitude nous offre un dernier titre \u00e0 rallonge : \u00ab\u00a0The Shadow Man Incident<\/u>\u00a0\u00bb de plus de 19 minutes. Ici, pas d’introduction longue comme sur \u00ab\u00a0Octovarium<\/u>\u00ab\u00a0, la chanson d\u00e9marre (quasiment) tout de suite. La comparaison n’est pas anodine, tant le d\u00e9but a une structure assez similaire avec un rythme assez lent, bien accompagn\u00e9 par les nappes des synth\u00e9s de Jordan Rudess<\/i>. Le second tiers s’en \u00e9loigne un peu, avec de longues parties instrumentales, conduites de main de ma\u00eetre par Mike Portnoy<\/i>, dont la batterie ne m’a jamais sembl\u00e9e \u00eatre autant mise en avant. Quel plaisir \u00e0 \u00e9couter, m\u00eame si c’est au d\u00e9triment de la basse de John Myung<\/i> qui aura \u00e9t\u00e9 tr\u00e8s discr\u00e8te sur l’ensemble de l’album. Le chant ne r\u00e9appara\u00eet que pour la toute fin, pour laisser la place \u00e0 un solo tout en \u00e9motion de John Petrucci<\/i> pour conclure parfaitement \u00ab\u00a0Parasomnia<\/i><\/u>\u00ab\u00a0.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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En conclusion, on peut dire que les ma\u00eetres du prog’ sont toujours l\u00e0 et plus forts que jamais, avec le retour de Mike Portnoy<\/i>. \u00ab\u00a0Parasomnia<\/i><\/u>\u00a0\u00bb ne sera peut-\u00eatre pas le meilleur album du groupe, mais il ne sera pas oubli\u00e9 sur une \u00e9tag\u00e8re gr\u00e2ce \u00e0 \u00ab\u00a0Night Terror<\/u>\u00ab\u00a0, \u00ab\u00a0Midnight Messiah<\/u>\u00a0\u00bb et \u00ab\u00a0The Shadow Man Incident<\/u>\u00ab\u00a0. Si le reste de l’album est assez convenu (mais toutefois tr\u00e8s efficace), Dream Theater<\/b> semble avoir effectu\u00e9 une grande remise en cause et a appris \u00e0 mieux utiliser ses forces (et notamment la batterie de Mike Portnoy<\/i>) mais surtout \u00e0 s’adapter \u00e0 ses faiblesses (en effet, le chant de James LaBrie <\/i>est\u00a0beaucoup plus sobre qu’\u00e0 l’accoutum\u00e9e). Rien que pour cela, on obtient un album qui, m\u00eame s’il est surtout marqu\u00e9 par le retour de sa star Mike Portnoy<\/i>, est le symbole d’une maturit\u00e9 nouvelle. L’accueil que je<\/span> lui r\u00e9serve aurait probablement \u00e9t\u00e9 plus nuanc\u00e9 s’il \u00e9tait sorti en 2010… mais en ce jour de 2025, c’est un grand oui !\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tracklist :<\/span><\/p>

  1. In The Arms Of Morpheus<\/em><\/li>
  2. Night Terror<\/em><\/li>
  3. A Broken Man<\/em><\/li>
  4. Dead Asleep<\/em><\/li>
  5. Midnight Messiah<\/em><\/li>
  6. Are We Dreaming?<\/em><\/li>
  7. Bend The Clock<\/em><\/li>
  8. The Shadow Man Incident<\/em><\/li><\/ol>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Dream Theater\u00ab\u00a0Parasomnia\u00a0\u00ab\u00a0Format: AlbumGenre: Metal progressifPays: \u00c9tats-UnisLabel: Insde Out musicSortie: 07.02.25Note: 4.5\/5 Il y a des souvenirs et des moments qui nous reviennent avec nostalgie, et que l’on raconte \u00e0 ceux […]<\/p>\n","protected":false},"author":3,"featured_media":11638,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[66,90,25,137,91],"yoast_head":"\nDream Theater - "Parasomnia" @Inside Out music - RiskTheDeath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.riskthedeath.fr\/index.php\/2025\/02\/07\/dream-theater-parasomnia-inside-out-music\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dream Theater - "Parasomnia" @Inside Out music - 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