{"id":11505,"date":"2025-01-10T14:43:54","date_gmt":"2025-01-10T13:43:54","guid":{"rendered":"https:\/\/www.riskthedeath.fr\/?p=11505"},"modified":"2025-01-10T15:42:26","modified_gmt":"2025-01-10T14:42:26","slug":"the-halo-effect-march-of-the-unheard-nuclear-blast-records","status":"publish","type":"post","link":"https:\/\/www.riskthedeath.fr\/index.php\/2025\/01\/10\/the-halo-effect-march-of-the-unheard-nuclear-blast-records\/","title":{"rendered":"The Halo Effect – \u00ab\u00a0March Of The Unheard\u00a0\u00bb @Nuclear Blast Records"},"content":{"rendered":"\t\t
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\"TheThe Halo Effect<\/span>
\u00ab March Of The Unheard<\/u> <\/span>\u00ab\u00a0<\/span>
Format: Album<\/span>
Genre: Death metal m\u00e9lodique\u00a0<\/span>
Pays: Su\u00e8de<\/span>
Label: Nuclear Blast Records<\/span>
Sortie: 10.01.25<\/span>
Note: 4\/5<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Comment mieux commencer l’ann\u00e9e qu’avec un nouvel album de The Halo Effect<\/b> ? Les anciens membres d’In Flames<\/b> nous offrent leur second album \u00ab\u00a0March Of The Unheard<\/i><\/u>\u00ab\u00a0, comme cadeau de No\u00ebl en retard. J’avais ador\u00e9 leur premier album \u00ab\u00a0Days Of The Lost<\/i><\/u>\u00a0\u00bb et j’ai donc beaucoup d’attentes pour celui-ci. En tout cas, la pochette est superbe, tout en vert et bleu avec \u00e9norm\u00e9ment de d\u00e9tails que je vous laisserai appr\u00e9cier par vous-m\u00eame. Ce second effort comporte 12 titres dont trois ont d\u00e9j\u00e0 \u00e9t\u00e9 d\u00e9voil\u00e9s : \u00ab\u00a0Detonate<\/u>\u00ab\u00a0, \u00ab\u00a0March Of The Unheard<\/u>\u00a0\u00bb et \u00ab\u00a0Cruel Perception<\/u>\u00ab\u00a0.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ph\u00e9nom\u00e8ne assez rare, l’album ne s’ouvre pas par une introduction et entre directement dans le vif du sujet. Ce qui saute tout de suite aux oreilles, c’est la continuit\u00e9 par rapport \u00e0 l’album pr\u00e9c\u00e9dent \u00ab\u00a0Days Of The Lost<\/i><\/u>\u00ab\u00a0. Si vous l’avez aim\u00e9, pas de suspense, vous aimerez \u00ab\u00a0March Of The Unheard<\/i><\/u>\u00ab\u00a0: c’est du death m\u00e9lodique<\/i> su\u00e9dois typique, avec ce c\u00f4t\u00e9 bien plus \u00ab\u00a0fun\u00a0\u00bb que celui de leurs voisins finlandais. Mikael Stanne<\/i> est, comme toujours, impeccable tant sur ses growls <\/i>(mais qui a encore des doutes?) que sur ses chants clairs que j’appr\u00e9cie \u00e9norm\u00e9ment dans The Halo Effect<\/b>. Ces chants clairs, de par leur raret\u00e9 et leur pertinence, am\u00e8nent toujours une \u00e9motion suppl\u00e9mentaire. Niclas Engelin<\/i>\u00a0et\u00a0Jesper Str\u00f6mblad<\/i>\u00a0n’ont pas perdu la main pour produire de super riffs,\u00a0Peter Iwers<\/i>\u00a0et\u00a0Daniel Svensson<\/i>, respectivement \u00e0 la basse et la batterie, font leur boulot tr\u00e8s sobrement, au service des riffs. Je l’ai mentionn\u00e9 plus haut, cet album\u00a0ne d\u00e9bute pas par une introduction, mais par le titre \u00ab\u00a0Conspire To Deceive<\/u>\u00ab\u00a0. Si je devais d\u00e9finir le death m\u00e9lodique<\/i>, je pourrais utiliser ce titre ! Tout y est : la m\u00e9lodie, l’\u00e9motion et la vitesse… Les morceaux de la premi\u00e8re moiti\u00e9 de l’album (\u00ab\u00a0Conspire To Deceive<\/u>\u00ab\u00a0, \u00ab\u00a0Detonate<\/u>\u00ab\u00a0, \u00ab\u00a0Our Channel To the Darkness<\/u>\u00ab\u00a0, \u00ab\u00a0Cruel Perception<\/u>\u00a0\u00bb et \u00ab\u00a0What We Become<\/u>\u00ab\u00a0) sont tous compos\u00e9s sur un mod\u00e8le assez similaire, \u00e0 savoir des couplets assez rapides avec des refrains plus lents. Ils ne r\u00e9volutionnent pas le style mais sont efficaces et dans la droite lign\u00e9e de \u00ab\u00a0Days Of The Lost<\/i><\/u>\u00ab\u00a0. \u00ab\u00a0Detonate<\/u>\u00a0\u00bb est particuli\u00e8rement r\u00e9ussi avec ses diff\u00e9rents changements de tempo qui sont les bienvenus.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Basculons dans la seconde moiti\u00e9 de \u00ab\u00a0March Of The Unheard<\/i><\/u>\u00a0\u00bb avec \u00ab\u00a0This Curse Of Silence<\/u>\u00a0\u00bb qui est l’introduction du titre \u00e9ponyme \u00ab\u00a0March Of The Unheard<\/u>\u00ab\u00a0. Dans le clip sorti il y a quelques semaines, les deux titres ont \u00e9t\u00e9 regroup\u00e9s pour ne faire qu’un. Le choix de les s\u00e9parer sur l’album est \u00e9tonnant, surtout en milieu d’album, alors que tout \u00e9t\u00e9 r\u00e9uni pour en faire les premiers morceaux de l’album. Je peux toutefois comprendre l’id\u00e9e si le but \u00e9tait de marquer une s\u00e9paration nette dans l’album, avec une seconde partie o\u00f9 The Halo Effect<\/b> sort (un peu) de sa zone de confort. L’introduction martiale lance parfaitement \u00ab\u00a0March Of The Unheard<\/u>\u00a0\u00bb qui, avec \u00ab\u00a0Conspire To Deceive<\/u>\u00ab\u00a0, sont jusqu’ici les titres les plus rapides de l’album et probablement les plus m\u00e9lodiques. Les chants clairs font leurs premi\u00e8res apparitions sur \u00ab\u00a0Forever Astray<\/u>\u00ab\u00a0, toujours de fa\u00e7on parcimonieuses et r\u00e9ussies. L’exemple parfait de la prise de risques est \u00ab\u00a0Between Directions<\/u>\u00a0\u00bb qui se repose sur des orchestrations au violon avec un tempo lent et lourd. Le contraste entre les couplets tr\u00e8s sombres et agressifs, par rapport aux refrains tr\u00e8s m\u00e9lancoliques, port\u00e9s par les orchestrations et le chant tout en \u00e9motion de Mikael Stanne<\/i> font mouche. Une dose de fraicheur appropri\u00e9e et parfaitement ex\u00e9cut\u00e9e ! \u00ab\u00a0A Death That Becomes Us<\/u>\u00a0\u00bb revient aux fondamentaux m\u00e9lodiques d’une fort belle mani\u00e8re, pour \u00eatre une des chansons que je pr\u00e9f\u00e8re de cet album. Pour la conclusion de l’album, le tempo remonte avec \u00ab\u00a0The Burning Point<\/u>\u00ab\u00a0, qui offre le solo de guitare le plus r\u00e9ussi de \u00ab\u00a0March Of The Unheard<\/i><\/u>\u00ab\u00a0, pour relever un titre qui sonne plus \u00ab\u00a0classique\u00a0\u00bb. Le denier titre \u00ab\u00a0Coda<\/u>\u00a0\u00bb est une instrumentale qui reprend la m\u00e9lodie du titre \u00e9ponyme \u00ab\u00a0March Of The Unheard<\/u>\u00a0\u00bb en version acoustique et orchestrale, mais qui rajoute un point \u00e0 mon interrogation: pourquoi ne pas avoir mis \u00ab\u00a0This Curse Of Silence<\/u>\u00a0\u00bb et \u00ab\u00a0March Of The Unheard<\/u>\u00ab\u00a0, en ouverture de l’album, pour boucler la boucle avec \u00ab\u00a0Coda<\/u>\u00ab\u00a0?\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab\u00a0March Of The Unheard<\/i><\/u>\u00a0\u00bb ne r\u00e9volutionnera pas le death m\u00e9lodique<\/i> su\u00e9dois mais il en est un t\u00e9moignage parfait, dans la droite lign\u00e9e de son pr\u00e9d\u00e9cesseur \u00ab\u00a0Days Of The Lost<\/i><\/u>\u00ab\u00a0. M\u00eame si cette continuit\u00e9 entra\u00eene parfois un manque de surprises, particuli\u00e8rement sur la premi\u00e8re moiti\u00e9 du disque (\u00ab\u00a0Cruel Perception<\/u>\u00ab\u00a0, \u00ab\u00a0What We Become<\/u>\u00ab\u00a0). Dans sa globalit\u00e9, l’album est tr\u00e8s agr\u00e9able et les 44 minutes d\u00e9filent tr\u00e8s vite, et plus particuli\u00e8rement sur la fin, lorsque le groupe varie un peu plus les ambiances (\u00ab\u00a0March Of The Unheard<\/u>\u00ab\u00a0, \u00ab\u00a0Between Directions<\/u>\u00a0\u00bb et \u00ab\u00a0A Death That Become U<\/u>s\u00a0\u00bb).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tracklist :<\/span>
1. Conspire To Deceive<\/em>
2. Detonate<\/em>
3. Our Channel To The Darkness<\/em>
4. Cruel Perception<\/em>
5. What We Become<\/em>
6. This Curse Of Silence<\/em>
7. March Of The Unheard<\/em>
8. Forever Astray<\/em>
9. <\/em>Between Directions<\/em>
10. A Death That Become Us<\/em>
11. <\/em>The Burning Point<\/em>
12. Coda<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Halo Effect\u00ab March Of The Unheard \u00ab\u00a0Format: AlbumGenre: Death metal m\u00e9lodique\u00a0Pays: Su\u00e8deLabel: Nuclear Blast RecordsSortie: 10.01.25Note: 4\/5 Comment mieux commencer l’ann\u00e9e qu’avec un nouvel album de The Halo Effect […]<\/p>\n","protected":false},"author":3,"featured_media":11570,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[50,456,124,14,585],"yoast_head":"\nThe Halo Effect - "March Of The Unheard" @Nuclear Blast Records - RiskTheDeath<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.riskthedeath.fr\/index.php\/2025\/01\/10\/the-halo-effect-march-of-the-unheard-nuclear-blast-records\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Halo Effect - 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